Art
and music is equal to political power: Pa Ranjith
— Purnima.Sah@timesgroup.com
Dressed in identical grey suits, walked in 19 band
members of ‘The Casteless Collective’ during their first performance, in the
city recently. With thousands gathering to see their performance, the band
members were taken aback having received such a warm welcome. The highlight
were the lyrics that condemned honour killings in the name of caste pride,
quota, discrimination, and manual scavenging. And these videos from the concert
have only created ripples on the internet!
Arivarasu Kalainesan, an engineering graduate, is one of
the lyricists and rapper in the band who authored 10 songs. “I am born and
brought up in a slum. I have grown up watching the hardship of discrimination
in the name of caste people go through. I used to read and write a lot of poems
in school and when I joined college, I got the opportunity to write lyrics for
our college band. I gave an audition at Neelam Cultural Centre and I was chosen
to work with the band. It’s good to see how through music, people have
understood a century old issue.”
And this wouldn’t have been possible without director Pa
Ranjith, who always wanted to bring gaana on a big stage.
Says Ranjith, “For me, art and music is a political tool.
I want to highlight social issues through art and music, issues that have been
there since centuries but have failed to bring about a change. Gaana is in the
blood of every child who is born in the slums of north Madras, the same
locality where I come from. They are so skilled yet so far behind in many
aspects of life. I want to change that.”
Ranjith’s organisation, Neelam Cultural Centre,
collaborated with the label ‘Madras Records’ to form ‘The Casteless
Collective’, inspired by a Tamil phrase ‘jaathi ilaathu Tamilargal’,
used by Tamil anticaste activist and writer C Iyothee Thass. “This collective
goes beyond the barriers of caste. And all of us have one aim — zero
discrimination in the name of caste and religion though our tool — music and
art,” added Ranjith.
That’s when he decided to collaborate with the music
composer, Tenma. “We conducted workshops to understand and found a way to bring
fusion of gaana, folk, hiphop, rap and rock. It’s more like creating a new
genre of music, which has too many elements — powerful stories, percussion
instruments like katte and chatti, which are played during funeral processions
— and there are rappers and beat boxers. Everyone has an individual
personality. I had to conduct them like a gospel choir, more like African
gospel because there are too many of everything together,” says Tenma.
The artistes are not only from Tamil Nadu, but also
Mumbai’s Dharavi’s rap trio, Dopeadelicz. This rap trio has also worked with
Ranjith in Kaala.
Source: The Times of Inida dt 13.01.2018